Enaction and Music – Anticipating a New Alliance between Dynamic Instrumental Arts

The concept of enactive representation was first introduced in cognitive psychology by psychologists such as Jean Piaget and Jerome Bruner. Pasquinelli defines precisely the origins of the concept of Enactive knowledge: ‘In Bruner’s view, there are three systems or ways of organizing knowledge and three correspondent forms of representation of the interaction with the world: enactive, iconic and symbolic. Symbolic knowledge is the kind of abstract knowledge that is proper for cognitive functions as language and mathematics. Iconic knowledge is based on visual structures and recognition. Enactive knowledge is constructed on motor skills, such as manipulating objects, riding a bicycle, etc. Enactive representations are acquired by doing’. The term enaction was then adopted by Francisco Varela and his co-workers in order to describe a form of embodied cognition that is opposed to those of classical cognitive sciences. In Varela, Thompson, and Rosch, the authors declared: ‘We propose as a name the term enactive to emphasize the growing conviction that cognition is not the representation of a pregiven world by a pregiven mind but is rather the enactment of a world and a mind on the basis of a history of the variety of actions that a being in the world performs.’

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About Giorgio Bertini

Director at Learning Change Project - Research on society, culture, art, neuroscience, cognition, critical thinking, intelligence, creativity, autopoiesis, self-organization, rhizomes, complexity, systems, networks, leadership, sustainability, thinkers, futures ++
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