Ineffability and its Metaphysics: The Unspeakable in Art, Religion, and Philosophy

This is a very ambitious book. Silvia Jonas sets out to articulate ‘a common ground for any account of the metaphysics of ineffability’. She defines the ineffable as a nonlinguistic item which it is in principle impossible to express in conceptual terms or to communicate to others by the use of language. She is particularly interested in the uses of the term ‘ineffable’ in religious, aesthetic, and philosophical contexts, where it seems to mark something of special importance or significance, and she aims to provide a basic account that will illuminate both these and many other sorts of talk about ineffability in literature.

The book is difficult, because it deals with many technical issues in recent analytical philosophy. But it is worth-while for the same reason, and it offers a bold substantive thesis that is well worth pondering. Jonas begins by arguing that there are four types of entity which might be called ineffable. First, there are ineffable objects or properties, like ‘the Absolute’ or ‘the One’ (as in Hegel and Plotinus). Second, there are ineffable propositions — truths which cannot be linguistically uttered or communicated. Third, there are ineffable contents, mental states that cannot be linguistically expressed. And fourth, there is ineffable knowledge, epistemic states that are not linguistically communicable. There is clearly overlap between these, since knowledge is a mental state which seeks to express some sort of objective reality, but Jonas uses the division to allow her to consider — and largely reject – a number of different moves in contemporary philosophy which might be thought to support claims to ineffability.



About Giorgio Bertini

Director at Learning Change Project - Research on society, culture, art, neuroscience, cognition, critical thinking, intelligence, creativity, autopoiesis, self-organization, rhizomes, complexity, systems, networks, leadership, sustainability, thinkers, futures ++
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